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Degree College For Women
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degree college for women – Third Degree
Then, as she steps into the shop, a brawl breaks out that ends in the death of Carter Wilmott, a merciless and loathed local blogger. The case couldn’t be any simpler, and Alison witnessed the whole thing, but when Wilmott’s car explodes in the aftermath, what looked to be a crime of passion becomes something far more complicated and maybe even premeditate.
With Alison and Bobby involved in the case and with each other, readers are in for a treat. Third Degree, the latest in Maggie Barbieri’s charming mystery series, is one heated mystery with plenty of steamy romance and cunning villains who are about to get burned.
Association Residence for Respectable Aged Indigent Females (Association Residence for Women)
The Association Residence for Respectable Aged Indigent Females, a prominent feature of the Manhattan Valley neighborhood of Manhattan’s Upper West Side, was constructed in 1881-83 for one of New York City’s oldest charitable institutions. The design, in a French-inspired style which recalls the Victorian Gothic, was by the "dean" of nineteenth-century American architects, Richard Morris Hunt. The building remains one of Hunt’s few surviving significant New York City structures and a fine example of ninteenth-century institutional architecture.
The Association
In the midst of the nation’s involvement in the War of 1812, a group of socially prominent New York City women formed an association in 1813 to aid women who were left poor widows by the current war or by the previous Revolutionary War. Chartered in 1814 as one of New York City’s earliest charitable institutions, it became known as the Association for the Relief of Respectable Aged Indigent Females. The aid initially took the form of money, food, and clothing "to relieve and to comfort those aged females, who once enjoyed a good degree of affluence, but now reduced to poverty by the vicissitudes of Providence."
A subscription list was started in 1833 for the construction of an asylum building. John Jacob Astor gave the first monetary donation, while Peter G. Stuyvesant donated three lots. The asylum was finally erected at 226 East 20th Street in 1837-38 (an infirmary building was added in 1845). The asylum was intended as an alternative to "the common almshouse, filled as it usually is with the dregs of society, /which? is not a place of comfort to persons of refined sensibilities."
As the Association soon outgrew its limited facilities, plans were made to construct a new building. As early as 1843 the Association owned land along Fourth Avenue between East 78th and 79th Streets and by 1865 had received monetary bequests for a new building. In 1868 the Association reported that "architectural plans have been presented, discussed, and decided upon." These plans were executed by architect Richard Morris Hunt in a French-inspired style with recalls the Victorian Gothic. However, doubts soon arose over the proposed location due to "the rapid growth of the city, and the invasion of three lines of public steam travel.
No further action was taken until 1881, when it was decided that a new building was crucial. The Association desired "some location farther uptown, where a site easy of access and suitable for the purpose might be obtained at a cost much less than one in the heart of the city."
A site consisting of twenty lots at Tenth (Amsterdam) Avenue between West 103rd and 104th Streets in the Manhattan Valley area of Manhattan was purchased by the Association in June 1881.
The Manhattan Valley area was being developed with the recent completion of the elevated railway extending along Ninth Avenue with a stop at West 104th Street. Construction of the Association building began in September 1881 with John J. Tucker as builder. Richard Morris Hunt, the architect of the 1868 scheme, was retained as architect.
it was felt by the Association that Hunt’s "name in itself is a sufficient guarantee that all that pertains thereto will be executed in a substantial manner and in good taste."
Hunt produced several similar variations for the design of the building.H The building was occupied in June 1883, and was formally opened in December 1883, during the seventieth anniversary of the Association. Present were such noted figures as Mrs. William E. Dodge and Mrs. Russell Sage, while one of the addresses was delivered by Rev. Charles C. Tiffany. It was noted that "the degree of comfort, almost amounting to luxury, which is manifest in every detail of the establishment, elicited from many visitors yesterday the remark that they would ‘like to be old women. ‘"
The Residence was Open to any respectable non-Roman Catholic gentlewoman over sixty years of age, on payment of $150 and the surrender of any property she possessed.
Richard Morris Hunt (1827-1895)
The designer of the new Association residence, Richard Morris Hunt, was one of America’s preeminent, honored, and influential architects of the nineteenth century. The first American architect to be trained at the "French ?cole des Beaux-Arts (1846-52), Hunt was credited by architect Charles McKim as "the pioneer and ice-breaker who paved the way for the recognition of the profession by the public
Hunt came to be considered the "dean" of American architects. In 1857 he was named secretary of the newly formed American Institute of Architects and opened an atelier, based upon the principles and methods of the Ecole, that was to train some of the country’s foremost architects
Association Residence for Respectable Aged Indigent Females (Association Residence for Women)
The Association Residence for Respectable Aged Indigent Females, a prominent feature of the Manhattan Valley neighborhood of Manhattan’s Upper West Side, was constructed in 1881-83 for one of New York City’s oldest charitable institutions. The design, in a French-inspired style which recalls the Victorian Gothic, was by the "dean" of nineteenth-century American architects, Richard Morris Hunt. The building remains one of Hunt’s few surviving significant New York City structures and a fine example of ninteenth-century institutional architecture.
The Association
In the midst of the nation’s involvement in the War of 1812, a group of socially prominent New York City women formed an association in 1813 to aid women who were left poor widows by the current war or by the previous Revolutionary War. Chartered in 1814 as one of New York City’s earliest charitable institutions, it became known as the Association for the Relief of Respectable Aged Indigent Females. The aid initially took the form of money, food, and clothing "to relieve and to comfort those aged females, who once enjoyed a good degree of affluence, but now reduced to poverty by the vicissitudes of Providence."
A subscription list was started in 1833 for the construction of an asylum building. John Jacob Astor gave the first monetary donation, while Peter G. Stuyvesant donated three lots. The asylum was finally erected at 226 East 20th Street in 1837-38 (an infirmary building was added in 1845). The asylum was intended as an alternative to "the common almshouse, filled as it usually is with the dregs of society, /which? is not a place of comfort to persons of refined sensibilities."
As the Association soon outgrew its limited facilities, plans were made to construct a new building. As early as 1843 the Association owned land along Fourth Avenue between East 78th and 79th Streets and by 1865 had received monetary bequests for a new building. In 1868 the Association reported that "architectural plans have been presented, discussed, and decided upon." These plans were executed by architect Richard Morris Hunt in a French-inspired style with recalls the Victorian Gothic. However, doubts soon arose over the proposed location due to "the rapid growth of the city, and the invasion of three lines of public steam travel.
No further action was taken until 1881, when it was decided that a new building was crucial. The Association desired "some location farther uptown, where a site easy of access and suitable for the purpose might be obtained at a cost much less than one in the heart of the city."
A site consisting of twenty lots at Tenth (Amsterdam) Avenue between West 103rd and 104th Streets in the Manhattan Valley area of Manhattan was purchased by the Association in June 1881.
The Manhattan Valley area was being developed with the recent completion of the elevated railway extending along Ninth Avenue with a stop at West 104th Street. Construction of the Association building began in September 1881 with John J. Tucker as builder. Richard Morris Hunt, the architect of the 1868 scheme, was retained as architect.
it was felt by the Association that Hunt’s "name in itself is a sufficient guarantee that all that pertains thereto will be executed in a substantial manner and in good taste."
Hunt produced several similar variations for the design of the building.H The building was occupied in June 1883, and was formally opened in December 1883, during the seventieth anniversary of the Association. Present were such noted figures as Mrs. William E. Dodge and Mrs. Russell Sage, while one of the addresses was delivered by Rev. Charles C. Tiffany. It was noted that "the degree of comfort, almost amounting to luxury, which is manifest in every detail of the establishment, elicited from many visitors yesterday the remark that they would ‘like to be old women. ‘"
The Residence was Open to any respectable non-Roman Catholic gentlewoman over sixty years of age, on payment of $150 and the surrender of any property she possessed.
Richard Morris Hunt (1827-1895)
The designer of the new Association residence, Richard Morris Hunt, was one of America’s preeminent, honored, and influential architects of the nineteenth century. The first American architect to be trained at the "French ?cole des Beaux-Arts (1846-52), Hunt was credited by architect Charles McKim as "the pioneer and ice-breaker who paved the way for the recognition of the profession by the public
Hunt came to be considered the "dean" of American architects. In 1857 he was named secretary of the newly formed American Institute of Architects and opened an atelier, based upon the principles and methods of the Ecole, that was to train some of the country’s foremost architects (including Henry Van Brunt, Charles D. Gambrill, George B. Post, Will
degree college for women
Description:
The present study examined sleep architecture as a function of handedness in a population of undergraduate college women using a home sleep monitor. Compared to strongly handed individuals, participants with a tendency toward mixed-handedness had a shorter sleep latency and spent a greater percentage of their sleep period asleep and less awake. Increasing mixed-handedness was also associated with increased NREM; strong-handedness was associated with increased REM. Results are placed in a neurophysiological framework wherein corpus callosum mediated differences in interhemispheric interaction during Wake, REM, and NREM on the one hand, and individual differences in corpus callosum morphology and hemispheric communication as a function of handedness on the other, interact to result in handedness differences in sleep architecture.
DEGREE COLLEGE FOR WOMEN : DEGREE COLLEGE 